FRESHSOUND

Marquis Compressor is a “universal” compressor AAX, AudioUnit and VST plugin for professional sound and music production applications. You’ll find a very smooth compression performance in this compressor, coupled with a harmonically-rich sound, both suitable for mixing and mastering. Being “universal” this compressor can be used on a wide range of sound material: individual tracks, stems and [...]

Deft Compressor is an audio signal compressor AU and VST plugin for professional audio production applications. The characteristic feature of this compressor is its ability to produce “slim” and “slick” sounding compression, with intelligibility enhancement effect. Such result is achieved by compressor’s timing function that closely resembles the S-curve (sigmoid curve) on both attack and [...]

It's been done many times before, but this one nails it. A fantastic emulation and the Inspired a model of the classic British device from the Beatles era used on hundreds of record since the sixties Royal Compressor delivers true vintage analog sound and feel. Pleasant saturation and sensitive compression is something every track really needs. [...]

DC8C is one of the most flexible compressors around. While making a lot of different compression styles possible, it's general nature may be described as: clear, smooth, open, distinct. [...]

Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn't emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain. [...]

MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say "excessive", research and development. To create MJUC I've researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have [...]

DynOne is a unique multiband parallel compressor designed from the ground up, using "very gentle and great sounding" linear phase crossover filters. Its design allows you to mix in compressed filter bands with the original signal. This makes it possible to shape and tonalize your sound without squashing its dynamics. [...]

LDC2 is an analog modelled optical compressor and expander with exchangeable optical circuits, solid-state preamplifier and output stage, giving you a unique compression character. [...]

Stereo double compressor. On each channel: an optical compressor followed by a VCA (Voltage Controlled Amplifier) compressor (Discrete). The first one controls the average signal level with the typical electro-luminescent panel musical behavior. The discrete one controls peaks, adding snap or full control. [...]

The most faithful emulation of a modern yet legendary tube compressor/limiter – perfect glue for mixing and mastering. There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or [...]

Everybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. Carefully designed by Mr. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks. Nothing is smashed here, [...]

Overloud Comp LA is the revolutionary simulation of two legendary optical compressors into a single plug-in. The 2A version is tube-based and delivers a warmer, harmonically rich tone. The 3A version is solid-state based and has a faster attack, cleaner tone. [...]