Unlock unparalleled powers. Parallel processing plays a fundamental part in getting a “big” mix sound. By processing multiple copies of the same track and blending them together you can add more punch to a mix — in a more natural-sounding way. [...]

A small solution for a big sound. In the 1990s people began talking about a certain ‘New York sound’, pioneered by some of the big-name mixers in the city. The NY sound was heavyweight and powerful, yet dynamic and defined. [...]

Dragon Fire introduces Tonal Compression: a monstrous new and easier way to tame and color the dynamic of your tracks. On top of that, our Shape technology allows you to finely sculpt the flavor and behaviour of the compressor algorithm itself. [...]

Pulsar 1178 is an audio plug-in (VST/VST3/AU/AAX) that meticulously recreates the original 1178 hardware compressor in its tonal color and compression character, while adding several additional features, turning it into a very versatile compressor for tracking and mixing. [...]

Compression is an extremely important element to all areas of a modern mix, but none more so than drums. Too little, and your drums will lack attack and weight. Too much, and your drums will sound small and lackluster. Being how passionate we are about drums we wanted to find a solution to help beginners and professionals alike improve their work flow, and get great results every time. We present [...]

Inspired by SketchCassette’s NR Comp algorithm, ShapeShifter is a one-of-a-kind dynamics remodeler and character compressor that will completely transform the shape of your sounds. ShapeShifter molds a blend of multi-band upward and downward compression into a toolbox for adding color, body, and grit to your sounds. This can take the form of anything from a subtle vibe boost to blown-open, [...]

POWAIR was designed to be a smarter, more natural sounding compressor. It’s a dual-stage loudness leveler / compressor / limiter powered by a novel, proprietary compression engine which provides greater transparency and control than ever before. [...]

DYN 3000 has all of the power, tone, and feel of the dynamics processors from the legendary Midas XL8 or PRO series consoles with all of the versatility of a modern plug-in. With 4 classic and content-dedicated compressor types and 3 flexible gate types, DYN 3000 is excellent for use on individual tracks, group busses, or master tracks. [...]

A secret weapon to some, a hidden treasure to the rest, the Valley People Dyna-mite is a Swiss army knife limiter/expander design with unique character that has inspired engineers to do crazy things with sound for decades. [...]

PSP oldTimerMB is a vintage-style multi-band compressor designed for demanding track processing, buss and mix compression, and mastering. (VST, VST3, AudioUnit, AAX and RTAS plug-in) Our aim in developing this plug-in was to design a high end multi-band processor based on the algorithm from our best-selling PSP oldTimer compressor. The result is a musical and warm sounding processor with a range [...]

PSP BussPressor is a compressor optimized for group and master buss processing. It combines the sound of classic VCA compression with wide tuning capabilities. Extra controls allow you to adjust a side chain high pass filter or apply parallel compression. It’s also worth mentioning that the PSP BussPressor is part of our series Zero Latency Processing plug-ins; no additional latency is critical [...]

Combining the smooth operating EQF-100 parametric passive equalizer with the mild but authoritative TLA-100A compressor, Summit Audio Grand Channel is a highly versatile channel strip that will cover a large part of your mixing needs. [...]

Tastefully warming and saturating any sound source with its tube-stages, and gently levelling them with its slow, smooth compression, the Tube-Tech Classic Channel is not a typical strip. [...]

The FET Compressor is an impressively faithful modeling of a device loved for its aggressiveness and its tendency to add some tasty distortion to the sound source when driven hard. [...]

Multi-band compression is vital to get right. It’s no mean feat to divide tracks into multiple frequencies and control their gain reduction individually with exactly the right balance—not enough, and things go out of control; too much, and you’ve got pumping hell on your hands (and ears). [...]

Descended from the iconic limiters of Abbey Road Studios, the Chandler Limited® Zener Limiter is a legend in its own right. With the vibe of the vintage hardware used to capture Pink Floyd and The Beatles running through its veins, the Zener Limiter is a rock and roll blueblood—with an appealingly modern streak. [...]

A highly versatile mojo machine, capable of replacing multiple plug-ins in a chain – EQ, distortion, transient designer, you name it – the Germanium Compressor is so much more than gain reduction. Engineered with an ear for music before mathematics, this is a trusty companion for producers, recording engineers, and creative musicians of all kinds. [...]

TiCo is a flexible signal processor plug-in, featuring 7 ‘TiGHTNESS’ compression and 7 ‘CoNTOUR’ character styles to take any source – drums, bass, guitars, synths, vocals, (mix)busses, masters & more – to the next level with ease. [...]

After 9 years in the plugin game, Kush can finally say without exaggeration that, at least for one particular flavor of vintage compressors that clip beautifully, we have completely closed the Analog/Digital gap. SILIKA is not ‘close’, it’s not ‘different but just as good’. It’s ‘Sonically Identical’ to the types of hardware it’s modeled after. [...]

The name Weiss is synonymous with quality in mastering, and a truly exceptional compressor/limiter is essential to any serious mastering engineer. The Weiss DS1-MK3 is the gold-standard for the world’s greatest mastering gurus, and for the Weiss Compressor/Limiter, we draw on its essence (and code-base) to bring a totally focused modern answer to the question ‘how should I deal with dynamics on [...]

AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen [...]

The most faithful emulation of a modern yet legendary tube compressor/limiter – perfect glue for mixing and mastering. There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or [...]

Virtual Buss Compressors comprises three unique sounding, 100% analog modeled dynamic processors that are ideal for program material. Every nuance of real analog compressors has been modeled; including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing. [...]

UBK-1 embodies the philosophy that compression is not merely a form of dynamics control, it is the ultimate tool to create and shape the movement and groove of a sound. Featuring five completely unique compression curves and no attack, release, or ratio in sight, UBK-1 has a signature ‘squishy’ and dark sound that’s very welcome in the land of digital sound. [...]

Novatron is an analog-modeled compressor that borrows so many sonic properties from so many different classic hardware units that, ironically, it could only exist in the world of dsp. [...]